It is deep winter. The snows lay heavy on the mountains of northern Japan. Cedar trees hang sparkling, dusted with ice, over frozen rivers and streams. The air is crisp, even crystalline in its stillness, and the white landscape yields only the slightest muffled sounds.
In the heart of this winter landscape a strange sight emerges every winter. A huge igloo, constructed entirely of ice, filled with rotund canvas bags. From these somewhat alien shapes that hang suspended from the ceiling at minus 2 degrees Centigrade, drip solitary drops of a sake unlike any other in the world.
This strange midwinter landscape on Hokkaido, Japan's northernmost island, is the result of one of the more esoteric and regimented sake brewing processes found in Japan, and is constructed each year by the Takasago brewery to make their most precious product, a sake which they have appropriately named "Divine Droplets."
Much like winemaking, the sake making process involves fermenting a big tank of liquidy mushy stuff that gradually turns into alcohol as the fermentation process progresses. Once fermentation is complete, that liquid mash -- the alcohol plus the solids that are called "lees" are generally pressed in a big mechanical device to extract the liquid and leave the solids behind.
In winemaking, however, there tends to be quite a difference between the wine that simply runs trickling out of this mush (known as "free run juice") and the wine that is extracted through pressing. The former is usually more balanced, less tannic and bitter, and generally higher quality wine than the pressed wine, which tends to contain such flavors because they are extracted from the skins and seeds as they are compressed. There is such a marked difference between the two "juices" that many top wineries only use the free run juice, and simply discard or sell off their press juice in bulk.
The sake making process is quite similar in that at a certain point most sakes are pressed off their lees, however the press juice in sake making is the most common source of juice for even the most premium sakes. Rice, of course, lacks the skin and seeds which contribute to the difference in flavors between free run and press juice in wine, so the juice pressed off the sake is not particularly undesirable.
Having said as much, however, there are those in the sake world like Takasago Shuzo who take pains (and great expense) to produce their own version of "free run juice" through the slow, painstaking, and very low-yielding process of drip pressing their sake. The brewers who believe that letting only the action of gravity on the lees extract their sake suggest that the resulting sake is the most delicate, and my limited experience with such sakes makes me inclined to agree. Perhaps just like Pinot Noir, which is famous for its delicacy and tendency to react poorly to rough treatment in the winery, top quality rice mash produces different results if it is babied through the process.
Takasago Shuzo was founded in 1899 in the town of Asahikawa City in Hokkaido, making it one of Northern Japan's oldest operating breweries. This area of Japan is home to many sake breweries, as it offers two things essential to brewing premium sake: cold temperatures and pure mountain spring water. Temperatures in the area regularly fall to minus twenty degrees centigrade and the mountains of the area offer a bounty of springs, some of which have been used by sake brewers for centuries.
The importance of temperature in brewing sake has to do with the minimization of contamination by airborne yeasts and bacteria. Even a small amount of foreign biological agents can significantly affect the flavors of a sake as it ferments. The still, cold winter temperatures in the unheated sake brewing buildings of most breweries tends to minimize such contamination, but if you really want to eliminate all foreign agents, one of the things you might do would be to build a giant igloo in which to make your sake.
A lot of sake, especially the most refined junmai daiginjo sakes like this one, in which more than 50% of the mass of each grain of rice have been polished away before brewing, tend to evoke winter landscapes for me. I suppose that part of this quality I project into the sake, knowing how and where it is made. But the clean, crisp qualities of some sake really do evoke the heart of winter, with aromas and flavors that are instantly familiar to those who grew up in the snowy mountains, as I did.
The way Divine Droplets is made makes it a special sake. But it's beauty is revealed only through its tasting. This is one of the most exceptional sakes made in the world, and one of my personal gold standards for the magical qualities that daiginjo sakes can possess.
Tasting Notes:
Colorless in the glass, this sake smells of rainwater, wet cedar, and flowers, with a hint of malted milk. In the mouth it is effortlessly clean, beautifully balanced, and sexy-slippery as it moves across the palate. The delicate flavors swirl between jasmine, melon, and a quartz-like mineral quality that is hard to describe. As with some of the finest white wines, this sake is so aromatic that there is the illusion of sweetness in the flavor that is completely disarming, as any concentrated effort to actually taste sweetness is impossible -- the sake is bone dry. The finish is marked by a pleasant, malted milk-ball quality that lingers for a long time and then slowly fades.
Food Pairing:
Classically delicate in nature, this sake is a beautiful accompaniment to sashimi (how about albacore or yellowtail?) or lightly seared fish in the tataki style. Its subtlety will be overwhelmed by strong flavors, so it is best paired with milder foods.
Overall Score: between 9.5 and 10
How Much?: $45 for 720ml bottle (also available in 300ml bottles).
This sake is available for purchase on the Internet.
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Jordan
wrote:Based on the review I really want to try this but I have never had sake. Would this be a good "starter" bottle?
Simon Hofstra
wrote:I can’t imagine a better starter. The only problem is that you will want more and more off this beautiful Japanese beverage. Use a wine glass so you also can enjoy the flavours. Best however is the Riedel Daiginjo glass which is also for sale on the internet.
Best regards, Simon
Alder
wrote:Jordan,
This would be a great example of the classic "daiginjo" style of sake. If you didn't care for this one, chances are you wouldn't like many others.
Abram
wrote:Ah, I really wish I could afford this grade of sake...damn being a poor college student! As for a good starter sake, you might try Tozai Living Jewel, or Tozai Snow Maiden. Both are under $20 for a bottle, and are surprisingly good.
Alder
wrote:Abram,
Yes, I hear ya - I was there once. I've had both the sakes you mention, and they are definitely decent. The main problem with good sake is the same problem with good wine. As you try more and more of it, the prices seem less unreasonable, and soon you're not even blinking at spending $40 a bottle. And of course, you're enjoying your life while you're at it.
Once you graduate you can start paying more for sake. For now I recommend getting other people to pay whenever you can !!
Blake
wrote:Just wait until it warms a bit. The true test of any good sake is it's ability to remain tasteful through temperature changes. I have noticed that some of the cheaper sakes tend to lose their tastefulness as they warm.
MC
wrote:I first tried this in Las Vegas at the Social House. The cheapest sake on their menu, the diamond in the rough sorta speak. Almost as clear as water, with the smoothest taste I have ever experienced. As you take a breath in after sipping some of this you smell and taste a very slight melon-esk flavor. It is an exquisite sake the "Rolls Royce of sake" that will dim all other competitors in Junmai category. I intend to sample it from the source on my next trip to Hokkaido. So very much worth the small price. Just fyi, unfortunately best when drunk within a week of purchase.
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